Curse the cloud over the south coast of England! It's ruining my light...
I work in the kitchen. I have two strong lamps in the roof and two strong worklights, all on at the same time (though admittedly one work light is most of the time bent down over a pieform - my variety of a putty oven).
My wife usually complains when she enters the kitchen because it's so much light it hurts her eyes

I live in Sweden. Half the year it's dark the greater part of the day. Can't rely on outdoors light at all.
But I usually take my sculptures out for little walks. The best thing is really to see them in all sorts of different light conditions. Some mistakes are discovered better in strong contrast light, others better in dim light, others better in surround light and so forth.
And then that horrible horrible HORRIBLE camera of course comes and reveals things most displeasingly. That's a reason I don't allways do WIP shots. I get depressed and loose courage to go on.
And Eyeolas: I've been at it with SOME type of sculpting for about nineteen years now (though only green stuff and other epoxy putties for about seven) and I'm still learning. So it's a LONG learning process (or I'm a slow learner...) but it's rewarding in the end...
Or so I've heard...

You're 14 so if you start now by the time you're 40 (as I am) you will have been at it for 26 years. And you'll probably learn about a zillion times faster than I do (young people allways do) so just think about the amazing sculptures you're going to be able to produce

(and don't give me crud* about talent. Talent is... about 5% of it, the rest is practice, practice, practice) so you really have no excuse (goes for everyone else to by the way...)
